Blagoslovite zhenshchinu

11 Apr

Bless the Woman also shows Govorukhins continuing penchant for using literary source material; the film is based on I.

A very young girl, Vera, falls madly in love with an older military officer who is visiting from out of town.

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In its detailed attention to the nations past, the film can thus also be placed beside Govorukhins trilogy of historical documentaries: This is No Way to Live, 1990; The Russia That We Lost, 1992; and The Great Criminal Revolution, 1994.

Unlike those highly politicised film-exposs, however, Bless the Womans primary representational allegiances are aesthetic: to screen melodrama.